Political
fiction, for reasons beyond my understanding, are incredibly difficult to do
well. I think it might be because I know just enough to break the suspension of
disbelief. I know enough of the norms of American, Canadians, and (to a lesser
extent) British politics to know what is reasonable and plausible. I suppose I
should say something like "asterisk Trump" but he, tragically, exists
within a certain norms.
Beau
Willimon, showrunner and creator of the American House of Cards, is a passionate critic of American politics so it
is easy to see these influences on the show.
I
consider myself an intelligent fellow and savvy viewer of television, yet after
13 episodes of House of Cards season
5 I feel reasonably confident I couldn't tell you what the hell is going on in
this season.
As
I start parsing the show I come up with easily a dozen plot lines but none hold
primacy, nor stand out. I suppose the primary plot is Frank Underwood's
desperate gamble to stay in power. He faces twin threats: a congressional
committee investigating his potential criminal acts and the election. The
latter is the far more interesting angle. Elections are fantastic sources for
drama and intrigue. Even the savviest politician in a democracy is powerless in
the face of the electorate's will. Willimon takes the audience through an
electoral crisis. Key states are unable to certify (confirm) their election
results due to widespread disruption. This throws the entire election into
question. While some of the wheeling and dealing is interesting the minutiae is
tedious at times, especially because the same characters flip-flop back and
forth.
House of Cards has a real
character problem. It doesn't know how to grow, develop, or introduce new
characters. Three major new characters joined the show, and for the life of me
I cannot tell you their names, nor could I while watching the show. I looked it
up, the characters I have in mind is Campbell Scott as Mark Usher, Patricia
Clarkson as Jane Davis, and James Martinez as Alex Romero. *Shrug*
I
hate to repeat myself, but much of my reservations about seasons three and four are only worse here. We are no longer co-conspirators with Frank. The audience
is left in the dark, or at least I was. The fun of the show is cold and dead.
All that's left are hollow twists purporting to be clever schemes.
It's
a real shame. The show has a some great moments and was truly exciting at
points. Here I'm particularly remembering those great fourth-wall-breaking
quips of Frank's. I hope the early season inspires future TV creators to
produce works that give the audience what season five fails to deliver.
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